THANATOPSIS - Contemplations on Death, Grief, and Renewal
Emma Lewis Acker
Marne Lucas
Dardinelle Troen
Thanatopsis explores end of life, grief and the sense of loss that accompanies death. Through distinct bodies of work, the artists reflect upon impermanence and transformation beyond the physical form. Death is a taboo subject, yet we all eventually arrive there. The aim is to create a space for reflection and to express real emotions. Inviting people to feel emptiness and notice moments of beauty in hard places, while also remembering those who have died. Death is a natural part of the cycle of life, and these artists’ work places aesthetic, emotional, and philosophical value on this inevitable transition. The artists share the desire to illuminate and connect through creativity, and find new directions in unexpected transformational paths. The audience can share their own experiences and stories in community, where together we can heal.
Thanatopsis is by three women artists who are practicing end-of-life doulas (EOLD). Marne Lucas (Portland, OR) conceived the show, in collaboration previously with Dardinelle Troen (Astoria, OR) and recently invited Emma Lewis Acker (Brooklyn, NY). The artists share an ethos of caregiving and end of life care advocacy in art and life. This is a new iteration for Royal Nebeker Gallery that includes collage, assemblage works on paper, sculpture, photography on paper and silk derived from black and white infrared thermal (IRT) video, and collaborative altars. As part of the exhibition and workshop programming, Colesie Tharp (Portland, OR) will present an interactive Remembrance Altar on the CCC campus, and at Astoria Visual Arts.
An end of life doula or “death doula” is a non-medical, emotional, spiritual, and practical support role that advocates for the wishes of the dying person and their loved ones. They can also provide grief support, assist with legacy projects, provide education on the dying process, and help make burial plans.
Thantatopsis- Contemplations on Death, Grief, and Renewal is a unique partnership program presented by the Royal Nebeker Gallery at Clatsop Community College and Astoria Visual Arts, September 21–October 22, 2026 featuring an art exhibition and five accompanying public events and workshops that foster deeper connection through discussion and creativity. Community members are invited to reflect on mortality, grief, healing, and the shared experience of loss.
This project is funded in part by Oregon Humanities with support from Meyer Memorial Trust.
Support for development of this exhibition was provided by The Ford Family Foundation, and by the Oregon Arts Commission.
Installation photography: Lincoln Miller. Special Thanks: Jeremy Furnish, Gabe Fernandez, Pushdot Studio, Kristin Shauck, and Jeff Struthers.
Installation view: Thanatopsis, Emma Lewis Acker, Marne Lucas, Dardinelle Troen, 2026, Royal Nebeker Gallery, Clatsop Community College, Astoria, Oregon.
Installation view: Thanatopsis, 2026.
'There You Go Again, Fiery Sails Ripping in the Wind, 2025, archival pigment print on Hahnemuhle photo rag paper.
Installation view: Thanatopsis, 2026.
'Wet Passengers Cave (Maat)', 2023, 16 x 20 inches framed. Infrared thermal video stills, archival pigment print, ink, watercolor, cut paper, metal leaf, on Canson photo rag paper.
Installation view: Thanatopsis, 2026.
Qdai Herstory (Big Obsidian Flow, 2026, Infrared thermal video stills, archival pigment print, ink, cut paper, metal leaf, on Hahnemuhle photo rag paper. 20 x 30 inches
Installation view: Thanatopsis, 2026.
'Goddess Yoniverse (Carina Nebula)', 2025 archival pigment print, Royal silk chiffon banner, plexiglass rod, 40 x 60 inches, unique.
Installation view: Thanatopsis, 2026.
Celestial Navigator (Shroud), 2025 archival pigment print, Royal silk chiffon banner, plexiglass rod, 40 x 60 inches, unique.
Installation view: Thanatopsis, 2026.
'Ouroboros', Marne Lucas, 2016 Cast brass, PVD electroplated coating 16 x 16 x 4 inches, edition #1 of 2.
Detail: 'Ouroboros'. Made at Arts Industry, a Kohler Co residency program of the John Michael Kohler Art Center.
Aurum Cascade (Skull 2), 2024, 20 x 16 inches, archival pigment print, 24 karat gold leaf, watercolor, pencil, Canson Photo rag paper.
Installation view: Thanatopsis, 2026.
Cosmic Ghost (As Above, So Below), 2021, 16 x 20 inches, archival pigment print, silver leaf, limpet shells, Canson Photo rag paper.
'I’m Not Scrying, You're Scrying!', 2025, Obsidian mirror, wax candle, ceramic, stone, metal leaf, water, retroreflective glass beads, acrylic tray, vitreous porcelain. (Saline water collected at the mouth of the Columbia River, Oregon.) Incantation: "Everything is sacred, nothing Anti-matters!"
'I’m Not Scrying, You're Scrying!', 2025, Obsidian mirror, wax candle, ceramic, stone, metal leaf, water, retroreflective glass beads, acrylic tray, vitreous porcelain. (Saline water collected at the mouth of the Columbia River, Oregon.)
Installation view: Thanatopsis, 2026.
Violet Hours (Cu Soon), 2025, 16 x 20 inches, archival pigment print, copper leaf, on Canson photo rag paper.
My Breath Is Inside You, 2026, archival pigment print, Royal silk chiffon banner, plexiglass rod, 40 x 60 inches, unique.
Installation view: above My Breath Is Inside You (silk banner), below 'Hexagoner', altar by Marne Lucas.
Installation view: Glass tiles with decals, Dardinelle Troen, 2026, 5 x 5 x .25 inches each, Hexagoner (She’s Mantic), Marne Lucas, 2026.
Hexagoner (She’s Mantic), glass mirror, salt, candles, stone, metal leaf, wood, shell, salt, watercolor, paper, water, Ghost Pipe tincuture, vinyl decal, 2026, 34 x 36 x 6 inches.
Hexagoner (She’s Mantic), glass mirror, salt, candles, stone, metal leaf, wood, shell, salt, watercolor, paper, water, Ghost Pipe tincture, vinyl decal, 2026, 34 x 36 x 6 inches. Incantation: "Welcome Back, Dear Vessel/Spirit Box, Meat Cage/Birth'd, Earthed, Death'd/Nothing Anti-Matters!/Until Next Time/Shine On With Love!"
As Above So Below (Tears), 2026, 14 x 11 inches, archival pigment print, metal leaf, cut paper, on Hahnemuhle photo rag paper.
Installation view: Thanatopsis, 2026.
Grimoire Girls (Witch Please!), 2026, archival pigment print, Royal silk chiffon banner, plexiglass rod, 40 x 60 inches, unique.
'The Lachrymist (Artists’ Tears As Invisible Ink)', 2025, human tears, found glass vials, tassels, acrylic tray, sea salt, vitreous porcelain. Incantation: "I put my tears back into the ocean, that's what makes it salty."
Detail: 'The Lachrymist (Artists’ Tears As Invisible Ink)' Incantation: "I put my tears back into the ocean, that's what makes it salty."
'Infinity Snake', 2016, cast iron, wax, gun blueing, 26 x 11 x 4 inches, edition #1 of 3. Made at Arts Industry, a Kohler Co residency program of the John Michael Kohler Art Center.
'Nephthys', 2025, archival pigment print on Hahnemuhle photo rag paper, 22 x 30 inches.
Thanatopsis and Ensouled, 2025, Digital IRT video stills, photo decal, engraving, vitreous porcelain, cork, paint, 10.25 x 14.25 x .30 inches, unique.
ENSOULED (Shadow Self), 2025, Digital IRT video stills, photo decal, engraving, vitreous porcelain, cork, paint, 10.25 x 14.25 x .30 inches, unique.
PSYCHOPOMP (A Void), 2025, Digital IRT video stills, photo decal, engraving, vitreous porcelain, cork, paint, 10.25 x 14.25 x .30 inches, unique.
GRIEF (Transformation), 2025, Digital IRT video stills, photo decal, engraving, vitreous porcelain, cork, paint, 10.25 x 14.25 x .30 inches, unique.
BARDO (Geological Timeshare), 2025, Digital IRT video stills, photo decal, engraving, vitreous porcelain, cork, paint, 10.25 x 14.25 x .30 inches, unique.
REBIRTH (Emergence of Pele), 2025, Digital IRT video stills, photo decal, engraving, vitreous porcelain, cork, paint, 10.25 x 14.25 x .30 inches, unique.
'Remembrance Altar' by Colesie Tharp, Columbia Hall, Clatsop Community College. Colesie creates symbolic 'Remembrance Altar' using beautiful recycled materials for the public to add to and rework throughout the exhibition. Participants are invited to bring small photos, and mementos to honor their loved ones who have died.
Installation view:'Remembrance Altar' by Colesie Tharp, Columbia Hall, Clatsop Community College. Tharp views play and joy as an integral part of one’s mental health and creativity, regardless of age, drawing from her previous career in childhood education.
Installation view:'Remembrance Altar' by Colesie Tharp, Columbia Hall, Clatsop Community College.
“I believe that the purpose of death is the release of love.” -Laurie Anderson
Transmundane is an ongoing lens-based artveillance practice that conceptualizes the awe inspiring, invisible, and fragile energy of humanity expressed through heat-sensitive black and white infrared thermal (IRT) video, used as stills in works on paper, vitreous porcelain ceramics, and silk. Exploring the body and the metaphysical, I pose philosophical ideas on human lifecycles, transformation, and the spirit world. My other professional life as an end of life Doula (EOLD) provides insight. “Being at the veil” is to bear witness to physical, emotional, and spiritual transformations of life’s ebb and flow, into a new form of energy, which I believe is Love. I hope the viewer may reflect on the inextinguishable energy of Love in the face of grief over losing a loved one, and perhaps feel buoyed by this concept.
Thermography (or IRT) is a technology most associated with surveillance culture that allows the viewer to witness invisible heat signatures of actual bodily energy. IRT registers infrared wavelengths up to 14,000 nanometers, far beyond the range of visible light. Heat of bodies and landscapes appear glowing white, and cold or wetness is starkly opposite as black voids. Since 1995 I have used IRT video to express ideas about our beginnings as being part of the universe, that we are beings of light. To witness our own energy is to accept the temporality of existence, and the magic of the transmundane- that which lies in the celestial and beyond. We are more than our physical bodies, we emit and share energy, and are luminous beings tied to the cosmic fabric of the universe.
Upcoming Events
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Artist Reception with Emma Lewis Acker, Marne Lucas, and Dardinelle Troen, at Royal Nebeker Gallery.
The artists will be present.
Royal Nebeker Gallery is dedicated to sustaining and promoting contemporary art and visual culture through exhibitions and programming, which creates a stimulating environment conducive to learning and creative expression. -

End of Life Doula + Artist Panel Talk: October 16, 2026, Friday, 6:00-7:30pm at Royal Nebeker Gallery.
A moderated in-person conversation will take place at the Royal Nebeker Gallery, with Emma Lewis Acker, Marne Lucas, Colesie Tharp, Dardinelle Troen, and moderator Jo Brickman, all practicing end-of-life doulas (EOLD). They will discuss their relationship to end-of-life care, and to each other as artists and doulas, and their artistic processes and materials. An opportunity for questions and answers will follow. End-of-life care advocacy materials will be made available throughout the duration of the exhibition, and at the related workshop series held at the Astoria Visual Arts gallery in downtown Astoria.
Jo Brickman, Facilitator
Jo is a transformational leader in design, sustainability, and nonprofit management. With Ensō Consulting, she is leveraging over twenty years of experience in private and non-profit sector roles to benefit companies and nonprofits with the potential to effect systems change for the better. As an INELDA-trained death doula, Jo also provides compassionate, nonmedical support to individuals, families, and their circles of care as they encounter and navigate death, loss, and mortality. She is the lead singer and rhythm guitarist of the local band, Drunken Angel. www.enso-consult.com/ -

Remembrance Altar by Colesie Tharp.
September 22 - October 22, 2026 second-floor lobby, next to the Bandit Cafe, Columbia Hall Clatsop Community College. and at Astoria Visual Arts, Saturday, October 16 - Sunday, October 17, 2026.
Drop in style collaborative altar, all materials are provided. Colesie creates symbolic Remembrance Altars using beautiful recycled materials for the public to add to and rework throughout the exhibition.*Participants are invited to bring small photos, and mementos to honor their loved ones who have died. Tharp views play and joy as an integral part of one’s mental health and creativity, regardless of age, drawing from her previous career in childhood education.
Colesie Tharp (she/her) grew up in the beautiful landscape of Eastern Oregon surrounded by her Basque family, whose historical stories led her to pursue deeper exploration of people, community and ritual. She has a background as a teacher and researcher working in Early Childhood Education, and is now a practicing End of Life Doula (EOLD) and Caregiver- an environment that lends itself naturally to hold and celebrate life - all while deeply honoring diverse experiences through practices that meet the individual's beliefs. She received EOLD training at the University of Vermont and received her Bachelor of Arts degree at Lewis and Clark College where she studied Theater. She is currently employed as a caregiver at Hopewell House Hospice as well as a Doula in private homes. Tharp’s EOLD practice includes rituals to be used in the landscape of death and dying: creating intentional spaces, altars, anointing dying loved ones with oils, listening and documenting life stories, and bringing in dear objects from their lives to add to their environment to bring peace and closure. -

What is Your Legacy? A Collage Workshop by Marne Lucas/Bardo Project, 12-3pm, October 17, 2026, Saturday, Astoria Visual Arts.
All materials are provided. Drop in, all ages. A collage on paper workshop exploring one’s own or a loved one’s legacy, all materials are provided. Create a beautiful personal collage to explore your life’s path and honor your legacy. Participants may keep their creations.
Marne Lucas is a multidisciplinary artist and death doula working at the intersection of art, science, and health, using conceptual overlaps: life’s energy, the body, and mortality, in social practice investigations. Lucas’ long-term projects are informed by the events and emotions of the community around her, and are inspired by the death doula and palliative care movements. An infrared thermal video pioneer, she uses heat-sensitive imaging technology to illuminate the magic and fragility of human life cycles. Founder of the ‘Bardo Project, Lucas explores creativity as a form of spiritual care in collaborations with terminally ill artists to establish their legacy. Lucas received training via INELDA as an End of Life Doula, a role that supports the dying and their families, and has been a practicing EOLD since 2016. Marne has collaborated with artists, choreographers, dancers, musicians, activist groups, sex workers, health care and LGBTQIA non-profits, and the public at large. www.marnelucas.com
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Ancestors in Training- A meditation on end-of-life and what comes next… October 17, 2026, Saturday, 11am-12pm, Astoria Visual Arts.
by Dardinelle Troen/Vie Mort Doula. Seated meditation, 45 minutes.
Join us for an afternoon of guided meditation focused on cultivating mindfulness and awareness of our mortality. We will draw inspiration from Maranasati, or The Nine Contemplations of Death, a Buddhist meditation practice designed to help us confront and overcome our resistance to death and dying. The primary purpose of these practices is to face our own mortality, similar to traditional meditation, intended to enhance our appreciation for the richness of everyday life. Dardinelle Troen will guide participants through a meditation that explores the nine contemplations, incorporating visualizations that reflect on our role as future ancestors.
Dardinelle Troen is an artist, designer, and end-of-life doula based in Astoria, OR. Working at the intersection of art and death, her art explores our interdependence with the Earth and all living beings. Death is the natural outcome of life, and Troen’s art serves as a memento and a talisman. Each piece she creates is a personal meditation on impermanence and the brevity of our existence. Troen has participated in artist residencies in Wales, U.K. and The Atacama Desert in Chile to learn techniques in bio char soil remediation, which she applies to her sculptures. Dardinelle hosts monthly Death Cafes in Astoria, Oregon. www.viemort.com www.ditroen.com/ -

Remembrance Altar by Colesie Tharp, September 22 - October 22, 2026, Astoria Visual Arts.
Drop in style collaborative altar, all materials are provided. Colesie creates symbolic Remembrance Altars using beautiful recycled materials for the public to add to and rework throughout the exhibition.
*Participants are invited to bring small photos, and mementos to honor their loved ones who have died. Tharp views play and joy as an integral part of one’s mental health and creativity, regardless of age, drawing from her previous career in childhood education.
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Write Your Own Obituary facilitated by Katherine Annala, DoAM. October 18, 2026, Sunday, 12pm-2pm, Astoria Visual Arts.
A one hour workshop on writing one’s obituary is an illuminating exercise to learn about our own life and legacy. Materials: if preferred please bring a laptop (paper will be provided.) Writing your own obituary can be a powerful exercise in exploring who you are and what you want the world to know about your life. In this class we will explore what your legacy is and how to put it into words. We will discuss the different types of obituaries, and you will learn the basics of obituary writing.
Katherine Annala is a doctor of acupuncture in Portland Oregon. While her focus of study in the doctoral program was aging adults and women’s health, Katherine is also experienced in treating underserved populations challenged by substance use disorder and mental health concerns. She received a Coalition of Community Health Clinics “Community Health Superstar” award in 2019 for her work at the Outside In integrative medicine clinic. In addition to being a clinical supervisor at the Oregon College of Oriental Medicine (OCOM), she taught the case Management class and was the Associate Dean of Clinical Education at OCOM until its closure in August 2024. Dr. Annala studied art at PSU for her undergraduate degree and has a lifelong passion for fiber arts including costume creation and quilting.
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Death Cafe, October 18, 2026, Sunday, 4-5:30pm, Astoria Visual Arts.
Astoria Death Cafe brings together people of all ages to talk openly about death, dying, and what it means to be human as we face life’s biggest transition. These conversations are community-led. The group offers a welcoming space where everyone can feel supported, comforted, respected, and most of all, connected. Here, you can share your thoughts, fears, and experiences about death, grief, and the end of life in a safe and non-judgmental setting. The cafe also helps people find resources and information about end-of-life matters. In line with the Death Cafe’s mission, participation is free, but donations to help cover refreshments are welcome.
Dardinelle Troen is an artist, designer, and end-of-life doula based in Astoria, OR. Working at the intersection of art and death, her art explores our interdependence with the Earth and all living beings. Death is the natural outcome of life, and Troen’s art serves as a memento and a talisman. Each piece she creates is a personal meditation on impermanence and the brevity of our existence. Troen has participated in artist residencies in Wales, U.K. and The Atacama Desert in Chile to learn techniques in bio char soil remediation, which she applies to her sculptures. Dardinelle hosts monthly Death Cafes in Astoria, Oregon. www.viemort.com www.ditroen.com/
Kyle Fujisawa spent their adult life making their way up the West Coast—beginning in Los Angeles and landing in Astoria, OR, four years ago. They developed a deep curiosity about death and dying: not seeing death as an endpoint, but as a rich and complex human experience shaped by culture and spiritual beliefs. Their work with organizations Mercy For Animals, Animal Equality, and The Humane League exposed them to the profound suffering within the industrial farming system. Witnessing that reality firsthand left a lasting impression, deepening their sense of the fragility and sacredness of life. This led Kyle toward hospice volunteering, in California and now in Astoria, where they continue to support people at the end of life. Kyle finished Nursing school at Clatsop Community College, Spring 2026, and will start a career as a Hospice Nurse with Lower Columbia Hospice and Palliative Care.
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Closing Day of the 'Thanatopsis' art exhibition with artists Marne Lucas and Dardinelle Troen.
The artists will be present 1-4pm on the the last day of the art exhibition. The gallery closes at 5pm.