THANATOPSIS
On View: December 4, 2025 - February 14, 2026
Opening Reception: Thursday, December 4, 2025, 5-8pm
Artist Talk: Saturday, February 14, 2026, 6-7pm. Closing Reception 5-8pm, Moderated by Jo Brickman
Paragon Arts Gallery at PCC Cascade campus, 815 N Killingsworth St, Portland, OR 97217
Gallery Hours: Wednesday 12-7pm, Thursday 12-7pm, Friday 2-7pm, Saturday 12-5pm
Free and open to the public. ADA accessible.

THANATOPSIS is a premiere three-person art exhibition conceived by Marne Lucas, as a collaboration with Shelley Chamberlin and Dardinelle Troen, that explores the end of life, the grief that accompanies death, and conceptually addresses impermanence and transformation beyond the physical form. Death is a taboo subject, yet we all eventually arrive there. The aim is to allow for the tangible feelings, the vastness of empty space, the sparse moments of sublime beauty in these difficult places, and honor the memory of those who have died. Death is a natural part of the cycle of life, and each individual’s work places aesthetic, emotional, and philosophical value on this inevitable transition. These three artists have found community in each other through their lived experiences with grief, loss, and transformation. They share the desire to illuminate and connect through their creativity, and find new direction in unexpected transformational paths. The audience can share their own experiences and stories in community, where together we heal.
The exhibition is accompanied by a series of artistic and somatic workshops held at Paragon Arts gallery/PCC Cascade campus, to stimulate community conversations on end of life care planning, death and dying, grief, loss, and personal transformation. The university campus setting supports the aim and ethos of the content of this work, fostering deeper connection among citizens as they contemplate mortality in a safe space. Workshops include a death meditation, yoga for grief relief, a legacy collage workshop, and a write-your-own obituary workshop. End-of-life care advocacy materials are made available throughout the duration of the exhibition. As both Marne and Dardinelle are also end of life doulas and have collaborated on arts programming, they engage their doula communities to guide programming.

My Transmundane series is an ongoing lens-based “artveillance” practice that conceptualizes the awe inspiring, invisible, fragile energy of humanity using heat-sensitive infrared thermal (IRT) video. Exploring the body and the metaphysical to pose philosophical ideas on transformation, my professional life as an end of life Doula (EOLD) provides insight. “Being at the veil” is to bear witness to physical, emotional, and spiritual transformations of life’s ebb and flow, into a new form of energy, Love.
Thermography technology most associated with surveillance culture, allows the viewer to witness breathtaking invisible heat signatures (hot areas appear white, and cold or wet areas are black), and expresses ideas about our beginnings as being part of the universe, that we are beings of light. To witness our own energy is to accept the temporality of existence, and the magic of the transmundane- that which lies in the celestial and beyond.
The ceramic tiles are a series of infrared video stills applied as decals to glazed vitreous porcelain, then text is engraved onto the surface. The imagery is sourced from my IRT experimental short films. The porcelain tiles were made at an Arts/Industry residency (Pottery Division) at the Kohler Co. factory in Sheboygan, Wisconsin.

Support for development of this exhibition was provided by The Ford Family Foundation, and by the Oregon Arts Commission, Marne Lucas 2025/26 Career Opportunity Grant.

Special thanks to Zeinab Saab, Paragon Arts gallery director and artist, for their advocacy and support.
Special thanks to the PCC student gallery assistants Andrew, Brian, and Julian, for their professionalism and engagement.
Gratitude for Monograph Bookwerks for in kind donations of fine art books for the collage workshops.